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Why
do Martine and Philippa agree to Babette's idea to celebrate their dad's anniversary?
What dilemmas/conflicts does this simple agreement then create in the story?
How
does the "worldliness vs. godliness" dichotomy feature in "Babette's
Feast"?
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How
is the "puritan vs. sensuous" conflict played out in the story?
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A common human characteristic is
"fear of the unknown." How do the "Babette's Feast" characters
exhibit "fear of the unknown"? How does this fear affect the plot?
Mary
Ann Fatula reminds us in her essay, "Sooner
or later each of us is brought to a personal turning point at which we are compelled
to 'make out the balance sheet' of our lives." How do turning points feature
in "Babette's Feast"? Which character/s is/are making out his/their
own "balance sheet[s]"? Explain.
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What is the background of Babette's surprising appearance in Berlevaag? (Background
resources for "Babette's Feast": publisher's
note for Unruly Women of Paris: Images of the Commune, notes for a
talk on "The
Paris Commune," the Wikipedia entries on the Paris
Commune, General
Galliffet, and Petroleuses.)
Explain the irony of her background and its effect on the story.
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Discuss Babette as an artist. What
is the purpose of her art? What is its effect?
How
comfortable do you feel with the idea that a feast can be redemptive? How/why
is Babette's feast redemptive?
At
the end of the story, Babette quotes Achille Papin: "'It is terrible and
unbearable to an artist . . . to be encouraged to do, to be applauded for doing,
his second best. . . . Through all the world there goes one long cry from the
heart of the artist: Give me leave to do my utmost!'" Explain.
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What do you think is the moral of
"Babette's Feast"?
In
Valerie O'Connell's essay,
"Babette's Feast" is discussed as "an elaborate allegory relating
to Christianity" and as "a religious allegory." Discuss the story
as a Christian allegory.
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Babette
"bestows her gift of an elaborate French dinner on people unwilling to receive
it and unable to estimate its worth." (Schwand,
P. "God Loves a Joke: Babette and Vocation.") Why?
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Pamela
Schwandt refers to "the celestial joke being played upon one and all,
which amounts to this: their immediate expectations are overturned and their deepest
longings are fulfilled." How is this like salvation?